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In early May 2026, Kickstarter rolled out new rules for what it calls “mature content.” The email to creators was reassuring: “Kickstarter has always been a home for bold, boundary-pushing creative work, including mature content projects like romance novels, nude art books, and provocative comics. Creators working in this space are a valued part of our community, and that hasn’t changed.” The data tell a different story, and the creators who stand to lose are the ones already working from the margins.

The new rules ban projects whose primary value is access to pornographic content. They also ban depicted sex acts in any medium, including comics, illustrations, and AI-generated art. They ban imagery where genitalia is the focal point, and they specifically name female nipples and areolas. They ban projects that use derogatory vocabulary, naming “slut,” “whore,” “MILF,” and “DILF.” They ban insertable sexual wellness products. They ban hookup and dating platforms. They ban AI companions offering romantic or sexual companionship. And they include an anti-circumvention clause: blurring, cropping, or otherwise obscuring otherwise-prohibited content does not make a project compliant.

Online critics quickly called the policy puritanical. Whose projects would these rules actually have forbidden over the past decade, and what do those projects look like?

How I counted

I scanned historical Kickstarter project listings from late 2016 through April 2026 — eleven monthly snapshots covering the full decade for which public scrape data is available. I made a list of roughly a hundred words and phrases drawn straight from the new policy text, and looked for projects whose titles or short descriptions used that language. Some of it is unambiguous. A project titled SuperHeroes After Dark: XXX Anthology Comic, or one promising “the first dildo for your love life,” is targeted exactly as the new rules describe. Other terms only matter in context. The policy allows “nude” in documentary photography or figure drawing but bans it when genitalia is the focal point. It allows “romance,” but flags projects whose copy promises explicit content. For every ambiguous case I read the actual project against the actual policy and made the call. Along the way I discarded false positives that the language alone could not distinguish: band names that contain banned vocabulary (Pink Industrial Whores), parody comics (Star Whores, The Mandawhorian), survivor memoirs that reclaim the policy’s banned words, documentaries about porn-industry figures, and dozens of dating-app metaphors aimed at pets or real estate rather than people.

The resulting set is deliberately conservative. It includes only projects whose own titles or short descriptions contain language the new rules unambiguously target. I only analyzed project titles and short descriptions, not images, long-form pitch text, or reward-tier text, so the true count is almost certainly higher.

One thing to be clear about. These projects were funded under the old rules. None of them has been retroactively removed, and Kickstarter has announced no plans to revisit campaigns that ran before May 2026. I can’t know what the platform will actually ban moving forward, so my results below are about what the new rules’ text would likely not permit.

The count

I identified 248 projects across the decade that the new rules forbid as written. Among those, 37 were successfully funded, raising a combined $894,895.

But 210 of the 248 projects — 85 percent — are dating apps and hookup platforms. Almost all of them failed to achieve their funding goals. The seven that succeeded raised $113,472 between them. The remaining 38 projects are mature creative work and sex-tech products, and 30 of them succeeded — a 79 percent funding rate, against 3 percent for the dating apps. They raised $781,423, about 87 percent of the affected dollars.

Most of what the policy catches are dating apps that never got funded. The real impact is on the smaller group.

Twenty for twenty

Of the twenty erotic and adult comic projects I flagged as likely violations, every single one was successfully funded. Twenty for twenty.

This is not a fringe set. These artists return to Kickstarter year after year. Spicehouse, the studio behind the MILF Submarine series, has run multiple funded volumes plus a spinoff on the platform. The artist who publishes under the name rootdraws has funded multiple installments of Pornoscopes, a series of astrological adult comics. shadedraws’s SuperHeroes After Dark anthologies have raised nearly $90,000 across three volumes. Larry Welz’s Cherry’s Jubilee Collection — NSFW Cover Edition, a 144-page anthology, raised $16,345 in 2024. The Food Porn Anthology, a lady-created, queer-friendly erotic comics anthology, raised $33,351 in 2015.

How much of these artists’ income flows through Kickstarter, the public data cannot say. Many of these artists ran campaigns repeatedly, raising real money each time. The new rules would shut that down.

The vulva clause

The new imagery rule prohibits “imagery where genitalia is the focal point.” The accompanying creator guide expands: prohibited nudity is “inclusive of female nipples/areolas, genitalia, anuses, gluteal cleft (buttocks).” Female nipples and areolas are named specifically. Male anatomy is not.

Among the projects the new rules would likely forbid: The Vulva Diversity Book — celebrating our uniqueness, a coffee-table book of vulva casts ($34,328 raised in 2021). {Un}Inhibited: An Asian Vulva Photo Book ($5,540 in 2018). The Vulva Gallery Book — Improving sexual health education ($63,799 in 2018, the largest of the group). What Do You Like About Your Vulva and Vagina?, a poster project illustrating women’s positive descriptions of their bodies ($6,782 in 2013). My Vulva: the book, in Kickstarter’s Children’s Books subcategory ($5,351 in 2021). A six-foot vulva statue in support of Texas Women ($1,844 in 2014). An inflatable clitoris sculpture for educational use ($5,230 in 2025).

These are art projects centered on the female body, many of them body-positive and women-led. There is no comparable cluster of male-anatomy projects in the data. The policy singles out female nipples and areolas by name.

Not Tinder

The 210 dating apps I flagged are mostly forgettable failures: another startup with swipe-but-better energy that never raised more than a few hundred dollars. But scattered among them are the apps that serve people the mass market doesn’t.

Several of them explicitly target people the mass-market apps do not accommodate well. Not Alone, His & Herpes, Lemonayde, Positive Plus 1, A Dating App Empowering Love Beyond Health Challenges, and a free online HIV/AIDS site are all built for adults living with STDs. The German Eine Dating App für Menschen mit Erkrankungen is for people with serious illness — HIV, cancer, dementia. Soberse matches sober and recovering people. Love & Ability is for people with disabilities. FlameVee is for Deaf and signing users. Love Is Blind, despite its title, is a dating app designed for blind and visually impaired users.

The new rules ban all of them, the same as they ban a generic hookup app. The policy text does not distinguish “I want to find a partner who understands my HIV diagnosis” from “casual hookup.” Both are folded into the same prohibited category.

The same bucket holds the niche queer dating spaces: PERSONALS, a text-based queer dating and community app; Femdream, for women and femboys; Rawr, for queer men; She’s Here Already, “the transclusive dating app for all genders”; StudFinder, “the lesbian dating app for studs, femmes, no labels, and more”; TeaDate, for transgender users; MALE MATE, gay-focused in Ireland; and transpeoplemeet.com, for trans communities globally.

The mass-market straight dating apps that come to mind when people hear “Kickstarter banned dating apps” — Tinder, Bumble, Hinge — do not crowdfund through Kickstarter. They raise venture capital. The dating apps that do crowdfund here include the ones built for people the mass-market apps do not serve well. Those are among the apps the new rules forbid.

Sex-worker writing

Not every affected project falls cleanly inside the new rules. Modern Whore: A Memoir, by sex worker Andrea Werhun and filmmaker Nicole Bazuin, raised $17,303 in 2017. The expanded edition raised an additional $28,016 in 2020. Transactional Intercourse, a trans and intersex sex worker anthology published from London, raised $25,800 in 2025. None of these would likely be banned under the new rules. They are memoirs, anthologies, and art books, not projects selling access to explicit sexual content.

The problem is the vocabulary. These projects use reclaimed words — “whore,” specifically — that the policy names as language to avoid. The policy does distinguish between offering banned content and using flagged vocabulary to discuss something else. But sex-worker self-representation lives right at that line, and a future project in this genre that uses the same reclaimed language runs straight into it. That’s a chilling effect, even if it’s not a ban.

Outside the US

The creators who would be affected are scattered across 18 countries. Most are in the United States — 162 of 248. But 22 are in the United Kingdom, 11 in Australia, 10 in Canada, eight each in Germany and France, five in Singapore, four each in Italy and the Netherlands, two each in Sweden, Japan, Hong Kong, and Denmark, plus single cases in Poland, Spain, Mexico, Ireland, and Switzerland.

A US platform’s content policy now governs access to a major creative-funding channel worldwide. The German app for chronically ill people seeking partners; the Italian erotic art books; the Japanese MILF Master erotic chat game ($33,080, Tokyo, 2020); the Singapore-based One Date platform — none have meaningful recourse within the platform. They were not consulted. They are not bound by US obscenity law. They are governed by Kickstarter’s terms of service, written in Brooklyn, applied globally.

Valued

Kickstarter’s email to creators said that bold, boundary-pushing creative work would remain a home on the platform. That creators working in this space were valued. That nothing had changed.

The data show that the new rules’ text closes Kickstarter to several specific groups. Erotic comic artists who built campaigns on the platform across the decade. Body-positive art projects, many of them women-led, centered on the female anatomy the policy now names specifically. Sex-worker writers and artists whose projects use reclaimed vocabulary the policy now flags. Dating spaces built for disabled, chronically ill, deaf, blind, sober, and queer users who were not being served by the mass-market apps. The global creative community whose work has been brought under American content rules without their consent.

Kickstarter says these creators are valued. Its rules say otherwise.

This is the kind of data-driven justice work I do in my book Unlocking Justice, now available from Princeton University Press.